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    November 13

    所谓最好的时光

    所谓最好的时光,指的是一种不再回返的幸福之感,不是因为它美好无匹从而我们眷念不休,而是倒过来,正是因为它永恒失落了,只能用怀念来召唤它,因此它才成为最美好的时光。
    ——侯孝贤
     
    在一项小规模的不完全统计下,侯孝贤在“我最喜爱的华人导演”评选中得票数最多。而我则把这个笑容安详的老头归入闷骚片导演之列。他的片子,适合平心静气之时凝神观看,用“品”较为适宜。
     
    其实这种三段式的叙事手法并非多么新颖,或者说稍不留神便会陷入俗套。但所幸侯孝贤仍然保持了一贯的高水准,为我们呈现了一幅依旧惆怅的画卷。
     
    恋爱梦、自由梦、青春梦,三段不同时代的同样惆怅没有结局的爱情,看得人心隐隐作痛,不胜唏嘘。
     
    碟片的封页上写着醒目的两行:无论何时何地,都要在一起。乍看起来,好像是有些不符。因为既然最好的时光都是一去不复返的,为什么还要在一起?
    比如恋爱梦中的女人把男人送走后会怎样?是从此杳无音讯,还是结婚生子?自由梦中的艺妓,是否能够赎身脱离炼狱,而后又将身归何处?
    青春梦中的靖,在长期同居的女孩和一夜狂欢的男孩中该作何选择?而这些,都并不重要。重要的是不管最后结果如何,那都曾经真实发生过的,都可以在午夜伤神之时,从心底小心翼翼地拿出回味。
     
    而最好的时光就是复员回来的男人辗转奔波终于得见女孩之时,是细雨淅沥,昏黄路灯下共撑一把伞的温暖。
    最好的时光就是先生初见艺妓向她展露自己报国胸襟之时,是神采飞扬,得遇知音的喜悦。
    最好的时光就是派对狂欢偶遇那一霎那之时,是电光火石,激情难抑的疯狂。
     
    而最好的时光总是乍现就凋落,在每个人长长的一生里。
     

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